This work uses drawings, sketches and computer images to capture a moment in the life of one of the world's busiest - and most creative - architectural offices. For three decades a leading figure in UK architecture, Terry Farrell enjoys a worldwide reputation, with major architectural and urban design projects in the UK and Asia. Best known for his exuberant London buildings of the 1980s - notably TV-am, Embankment Place at Charing Cross and the MI6 building - Farrell has now moved into a freely expressive mode of design, with the emphasis on sensuous forms and accessible imagery, influenced by working much more overseas. This snapshot of work comprises evocative drawings, models and collages, ranging from first concepts through exploratory investigations to presentation images. By showing the way in which ideas are elaborated, explored and developed, it offers insight into the creative processes of the architect. In a trenchant personal essay, Terry Farrell sets out his artistic credo, presenting the city as man's greatest work of art and attacking the cult of the minimal. In a foreword Professor Robert Maxwell of Princeton University appraises and applauds Farrell's special contribution to the art of making cities.

With a body of work firmly at the heart of architectural theory and discourse, Robert Maxwell is undoubtedly one of the most respected architectural writers and educators of recent times. Emeritus Professor of Architecture at Princeton University, Robert Maxwell is a scholar known worldwide for critical writing that looks at modern and contemporary architecture in relation to our wider culture, including art, literature and music. A Few Years of Writing: Interspersed with Some Facts of Life brings together a collection of over 30 of Maxwell's writings from the late twentieth century to the present, through which are woven events and occasions from his own diary that expand on debates in the world of architecture throughout the period. Texts include "Richard Rogers: an Evaluation", first published in Casabella in February 1994; "Sounds and Sweet Airs at Stuttgart", a review of the Music School at Stuttgart, in the RIBA Journal in October 1996; an obituary of Philip Johnson in The Architectural Review, in March 2005; and "Eisenman: The Formal Basis of Modern Architecture", in Building Design in September 2006. This engaging collection, at once intimate and autobiographical, insightful and perceptive, as well as critical and theoretical, results in a rich description of the culture of architecture across two decades towards the close of the last century and during the early years of the present. A Few Years of Writing: Interspersed with Some Facts of Life is the first of two books of Robert Maxwell's writing to be published by Artifice, with the second coming out in Spring 2013.

Chris Dyson Architects specialise in finding new solutions for sensitive buildings. They have become leaders in conservation and adaptation, and are renowned for their infallible attention to detail, flair for innovative and modern design, and application of design intelligence to every project. Dyson's own award-winning home and studio in Spitalfields, London, is carved from one of the coveted earlyeighteenth century houses which typify the area and is a triumph in sensitive restoration and bold modernisation.
The firm is perhaps best known for designing and restoring bespoke London homes. Describing himself as a "Classical Modernist," Chris Dyson approaches each building with the aim of rationalising the space, making it clean-lined and easy to navigate; the home's function and soul lead the design. The team looks to enhance what is already there, employing specialist craftsmen and paying close attention to the detailing of the house before adding sleek contemporary elements.
In Chris Dyson Architects: Practise & Projects, clients, colleagues and contemporaries each reflect upon the firm's expansive range of expertise and careful design process, with every project unique both in terms of aesthetic and spatial experience. Among those discussing the practice's work are artists Mona Hatoum and Jock McFadyen, writers Jeanette Winterson, Sue Hubbard, Rodney Archer, James Pallister, and architectural critic Robert Maxwell.

Adept at moving between the examination of modern and contemporary architecture, art, literature and music, Robert Maxwell is a respected scholar whose critical writings articulate the role architecture plays in contemporary culture. In Ancient Wisdom And Modern Knowhow, Maxwell considers the notion of 'doubt' encountered by the modern architect. In ten chapters that draw upon writers and topics as diverse and engaging as Andre Malraux and his concept of the Musee Imaginaire, Colin Rowe and his exploration of "Mannerism in Modern Architecture" as well as Rowe's book with Fred Koetter, Collage City, and examining works by artists including Albrecht Du?rer, Picasso and Duchamp and architects including James Stirling, Zaha Hadid, Frank Gehry and Daniel Libeskind, Maxwell steps effortlessly through a range of ideas and concepts, to create an engaging and provocative thesis. Ancient Wisdom and Modern Knowhow is the second of two new books to be published by Artifice books on architecture by Professor Robert Maxwell, Emeritus Professor of Architecture at Princeton University. The first, A Few Years of Writing Interspersed with some Facts of Life, was published in autumn 2012.

Rick Mather Architects (RMA) have been working in London since the early 70s. Best known for their award winning museum extensions, such as the Dulwich Picture Gallery and the National Maritime Museum, RMA's portfolio spans a broad spectrum of projects, including residential and student housing, master plans and urban design for both renovations and new buildings. They are world renowned for their intuitive sense of place and context, as well as their pioneering technologies in structural glass and sustainable design. The book establishes Rick Mather's unique approach to resolving complex design issues on both a large scale and in the fine details; the work of the practice is described in accessible terms through the texts and through a wealth of visual material, including photography and drawings supplied by the practice. Alongside this documentation, the visual aspect is supplemented by reproduced paintings, maps and drawings from a diverse range of sources, which have inspired and informed the work. Over the past 33 years, the practice has undertaken 500 projects. These include the Virginia Museum of Fine Art; the student halls of residence in Norfolk; the Ashmolean Museum extension, Oxford; the masterplanning of London's South Bank Centre; as well as Mather's iconic housing of the 1980s and 90s. This book will cover the full range of the projects, exploring Mather's response to the technical and social requirements of the briefs, and the way that a US born architect has re-imagined Britain's culture and made it his own.

Custom and Innovation: John Miller + Partners is the first publication devoted to the work of John Miller + Partners, and explores Miller's work from his student days at the Architectural Association, to his present practice as a multi-award winning firm. The book provides an insight into the contemporary fascination with museum buildings as well as the revived interest on post-war modernism both in Europe and the USA. John Miller + Partners is responsible for some of the most highly regarded museum and university projects of the past 25 years, such as the Queen's Building and the extension to Tate Britain, as well as schemes for the Fitzwilliam Museum and the National Portrait Gallery.
Custom and Innovation: John Miller + Partners takes a close look at the architects' body of work, and examines its working practices, such as John Miller's indebtedness to Modernism and its proponents, such as Le Corbusier. Further, the book sets out the practice's departure from its precedents by showing its work to be wholly contemporary and of its moment.
Fascinating texts by respected architects and writers elucidate the firm's contribution to modern architecture. Kenneth Frampton, well known for his writing on twentieth century architecture, looks at the work of John Miller in the context of the museum building, and other typologies he works with. Robert Maxwell, Emeritus Professor of Architecture at Princeton, writes extensively on architecture, combining consultancy and architectural criticism, and here looks at the historical context of John Miller + Partners' work. Finally, Deyan Sudjic, Director of the Design Museum, London, focuses on the early work produced by John Miller through his student days to his partnership with Alan Colquhoun.